Character Building
It’s been said that ‘we are what we eat’, and food can
also play an important part in fiction writing as a device to give insight into
a character’s background and personality. How and what we eat can speak volumes
about a person and their lifestyle. If we wish to convey wealth then our characters
will consume copious amount of champagne; poverty can be summed up with bread and
dripping. Lavish banquets can set the scene in historical fiction, while
wartime rationing gives a sense of camaraderie in coupon sharing. Food fads are
also a sign of the times and our characters will need to reflect what is ‘in’
and what is ‘out’, especially if the fiction is a period piece.
Consider that every part of the world has its own
instantly recognisable style of preparing and offering food, and can help set
the scene for readers; to jog memories and draw them into your story. How many
of these scenes can you ‘see’ just from a brief mention of the food?
• Freshly baked bagels from a Jewish Sunday morning bakery;
• Traditional fish ‘n chips in an English seaside
resort;
• Christmas cake baking in grandma’s kitchen;
• A trucker’s breakfast from an old fashioned ‘greasy
spoon’;
• Roast lamb in a Greek taverna;
• The distinctive aroma of a Parisian street café;
• The spice market in Istanbul;
• Toffee apples from a visiting fair;
To make them come alive, our characters need these
evocative settings and what better device than using food as a backdrop. But
don’t do as one budding novelist did. Her male lead was a bit of a ‘foodie’ and
whenever he and the heroine got together there was a complete menu offered up
at every encounter, complete with a vintage wine! By chapter six I was feeling
distinctly queasy and by the end of the book both characters would have weighed
in at least 20 stone! Not ‘over-egging the pudding’ is a culinary hint worth
remembering in fiction writing.
When writing period pieces, it’s also worth studying
books of etiquette for the period, which can provide hours of entertainment and
offer all sorts of ideas for domestic incidents that will make the characters
more convincing. The newly-wed wife who entertains her in-laws for the first
time; a young man’s first formal ball; covering up a servant’s mistake; the
ordeal of the ballroom. There are still old books on etiquette to be found through
second-hand booksellers that give advice on such
matters. Such as: The Book of Etiquette by Lady Troubridge. First
published in 1926 and remained in print until the 6th impression in 1976. Etiquette for Gentlemen and Etiquette for Ladies from Ward
Lock. Not dated so probably a much earlier version than
the above. The
Gentlemen warns
that ‘a man may forgive you for breaking his daughter’s heart, but never for
breaking his hunter’s neck!’
Etiquette by Emily Post (1922) for
the American version of acceptable manners, which vary slightly from the
English and often more draconian. The books also contain valuable information
on what to serve and when … ‘Second helpings are not offered at dinner-parties’
… as well as suggested menus for afternoon tea, informal luncheons, batchelor
dinners, etc., and more importantly how to eat them.
Food can add splashes of colour to a story. Did you
know, for example that although bread, ale, meat and fish were the staple diet
of medieval England, fish often came from as far away as
Iceland, and as early as 1480 over 100,000 oranges were
being imported? Where did this snippet come from? Food & Feast in Medieval England by Peter Hammond, who is
author on several
academic books of the period. Imagine a romantic
interlude whereby the heroine tastes her first orange; or meets the stranger who
accompanies the Icelandic catch …
Another Sutton title, Memory, Wisdom & Healing: The History of Domestic
Plant Medicine by
Gabrielle Hatfield, chronicles the historic
use of plants by ordinary people for coughs and colds,
cuts and bruises, burns and other everyday ills. The
author is an Honorary Research Associate at the Royal Botanic Gardens whose
research on domestic plant remedies won her the Michaelis-Jena Ratcliff Prize
for Folklore. Imagine how this sort of information on domestic plant medicine
could enrich a story – past or present.
Similarly, Dutch Egyptologist Lise Manniche gives us An Ancient Egyptian Herbal
and Sacred Luxuries:
Fragrance, Aromatherapy and Cosmetics in Ancient Egypt. The first title includes the use of plants
in the garden, home and kitchen, as well
as those used in medicine; the second focuses on the importance of perfumes and cosmetics.
Imagine your ancient Egyptian
heroine
experimenting with a new cosmetic … in just the same way as a 2012 teenager
trying out a new Boots’ eye shadow.
While kicking all these ideas around in our head, let’s
think for a moment about the run-away foodie success of Joanne Harris’s novel, Chocolat, that reflected the not so
subtle conflict between the ‘solemnity of the church’ in provincial France, and
a pagan hedonistic delight of chocolate. A whole novel woven around the wicked
little cocoa bean! A writer’s characters can’t
live by bread alone!
Handy Hint:
Don’t be afraid of using academic books for source
material. You’ll often come across information not generally available to add zest
to your story. You’ll also find that academics are more generous with their time
and less precious about their copyright than commercial authors. If you require
further information or clarification of a particular point, an emeritus
professor of history will generally be more than happy to provide the material
you require.
Try This Exercise:
In Chapter One we casually mentioned the idea of
creating a ‘sports luncheon’ for the ladies while the men are glued to the television,
participating in, or off watching the event. Try creating an article or short
story featuring a lunch to coincide with a major sporting event – Ryder Cup
(golf); Cheltenham Gold Cup (racing); Grand Prix (motor racing); Test Match (cricket);
Cup Final (football); Twickenham (rugby) – that you might offer to a women’s
magazine or a sporting publication.
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